Showing posts with label Mesa Karate. Show all posts
Showing posts with label Mesa Karate. Show all posts

Friday, July 6, 2018

NUNTEI BO: Okinawa Fishing License for Traditional Karate and Kobudo

"After kobudo, we will fish for dinner with our nuntei-bo."

Okinawans, even though disarmed by their king (Sho Shin) in 1480 AD and later by Satsuma Samurai clan from neighboring Japan in 1609 AD, still found weapons of self-defense in tool boxes, mill houses, boats, sheds, etc. One of these known as nuntei bo, was used to catch fish, capture fishing nets, and even vaccinate samurai. 

If you would like to train like an Okinawan fisherman or samurai, we have a Hall-of-Fame grandmaster with more than 5 decades of teaching experience, who is looking forward to teaching you. No experience necessary - we currently have FOUR spaces for adult male or female students due to members moving out of state. Just contact Soke at sokeshodai@yahoo.com and let us know a little about you. Since the plandemic, we moved from our dojo on Baseline to a private dojo near the cross roads of E. Southern and S. 24th Street. 

Each spring, the Hombu Dojo in Mesa, schedules a traditional Shorin-Ryu Karate and Kobudo Clinic with members of Utah Shorin Kai from the Salt Lake valley. Karate-ka arrive at Phoenix Sky Harbor airport to attend the annual clinic, scheduled a few weeks prior to the Juko Kai National Black Belt Clinic in New Braunfels, Texas, and the out-doors Gasshuku clinic at the East Canyon Resort near Park City, Utah. A few members from the Hombu, University of Wyoming, Gillette, Casper, Cheyenne, and Grand Canyon University also attend these clinics to learn more about traditional martial arts. Few other MA organizations in Arizona offer such a wide range of training for their students.

Soke Hausel and the Arizona Hombu dojo are 
recognized as the best martial arts instructor 
and martial arts school for the past 5 years,
in the Phoenix Valley. Expertise chose our school
and grandmaster as the best of  360 schools with
all of their instructors (Expertise).

In the late spring of 2018, members of Utah Shorin-Kai and their headmaster, Hanshi Robert Watson, 9th dan, presented Soke Hausel with a beautiful gift of nuntei-bo (Okinawan dialect) referred to as nunti-bo (Japanese), and sometimes spelled nunte-bo. Many great Okinawan karate and kobudo masters fished with this tool and used one to defend against muggers, samurai, and government agents. Other common fishing kobudo tools include yari, tinbe, and eku.

Soke Hausel at Arizona hombu karate dojo in
Mesa with nuntei-bo 


Nuntei-bo is a fisherman’s gaff mounted on bo with its central, sharp, shaft bordered by opposing short shafts similar to manji saiNuntei-bo is designed to stab wayward fish, while the bordering yoko tsuka (opposing prongs) assist in pulling and pushing fish nets in water. But for members of Seiyo no Shorin-Ryu Karate Kobudo Kai, this toll can also be used to select food at Long John Silvers, chase away irritating door-to-door salesmen, or just train like the Okinawan peasants of old. The tool is an extension of the empty hand (karate) and like any traditional Okinawan martial arts school, the Arizona Hombu Dojo in Mesa, Arizona teaches all students to use kobudo tools and samurai weapons from the beginning of their martial arts path. But unlike other schools, we do not charge an extra fee to train in weapons.

Often, nuntei-bo is practiced with two manji sai. The sai are thrown during execution of kata. The throwing of sai is practices outside in the dirt, with a thick wooden block on a dojo floor, or most often just taken from one’s obi and placed on the dojo floor to symbolize where one would throw the weapon. 

In the Okinawa hogen (dialect), the tool is referred as nuntei, and means ‘thrusting hand’. At first glance the weapon looks like a spear, but is composed of bo used as a handle with a manji sai mounted on one end of the bo that is used for piercing and trapping. Because it was a common tool of Okinawan fishermen, these martial artists were allowed to carry it during years when weapons were banned on Okinawa - after all, it was only a fisherman's tool. But the tool could be effective in dealing with pirates, samurai, and fish, in the hands of an expert.

The origin of the weapon is thought to be China, and likely was imported about 6 centuries ago. A similar weapon is mentioned in the Bubishi known as sabu. As a martial art, nunteijutsu resembles bojutsu and even sojutsu, both also practiced at the Arizona Hombu.



Training in sojutsu with yari (Okinawan spear) at the 2018 clinic.


Maezato no tekko - training with tekko at the Arizona Hombu Karate Dojo



Friday, November 15, 2013

Martial Arts Weapons - Gilbert & Mesa, Arizona


This morning, my thoughts are about karate and kobudo (for those who don't speak Japanese, 'kobudo' is the term for martial arts weapons). This is what I was born to do! Well, not entirely. I also like to write and chase after gold and gem deposits. But knowing karate is helpful when I find one of those gem deposits and forget to bring along my rock hammer.

Last, week, while we were walking through our local garden center, I was elated. My wife looked at me like I was nuts and placed her hand on my forehead to see if I had a fever. No fever, so she tried to ignore me.

Gardening the Okinawan way. Ryan uses kuwa (hoe) to defend attack by Adam at the Arizona Hombu Karate dojo in Mesa, Arizona.
"Let's see, I need a Bachi Gata Hoe, an asparagus sickle, two nobori gama sickles, two hand forks, maybe a copper nunki weeder, two ko gama hoes and two sod sickles, a short handle nejiri weeder, a long-handled scraper, a hammer - ah, make that two. Wow, I must have two of those hoe-cultivators. Hey, look at those - I'll take two of of those Lawn Aerator Sandals and a long handle fork, two vegetable harvesting knives, a brass-tipped tamper dibber, one hand pruner and - hey what is that?!"

The employee picks up the Bypass pruner and hands it to me.

"Yes, I can definitely use this! And let me have a look at one of those landscaper pole saws".

As we walk by the chain saws - I stopped and day-dreamed. My wife saw that look in my eyes and grabbed my earlobe and we were off to another part of the store.

During Samurai Arts training. Our students began to understand the diversity of old school martial arts weapons, and those of modern day samurai and how these weapons can be interchangeable.

We started with hanbo (半棒) and added techniques from the hoko tsue (歩行杖) (cane). We moved on to a technique using a kakucho kanona baton (拡張可能なバトン) (expandable police baton known as ASP), switched to a ropu (ロープ) (rope), a manrikigusari (weighted chain), a sansetsukon (3-section nunchaku), then to a nunchaku, a broom, a mop, nitan bo and then obi (belt). With all of these, we applied the same defensive techniques. I like to do this to show how the same technique can apply to many weapons as well as classical karate (empty hand) techniques. It places the students into a creative thinking mode and broadens their martial arts experience and education.



Wednesday, February 29, 2012

KUWA - Giving Arizona Gardening a Real Punch!

Shihan Adam of Phoenix hooks Rich's
 (of Mesa) knee with kuwa in ippon kumite. 
Kobudo is a an important part of Shorin-ryu karate, so much so that the karate and kobudo should be taught as being inseparable. Few weapons epitomize kobudo more than kuwa (the common garden hoe) also known as a gawa or kue. This is because kobudo is considered a peasant art, and what could better define a peasant than a hoe, a tool of the peasant class.

Karate and Kata are essentially the same, and this includes kobudo. Kobudo is developed through the study and continual practice of both karate and kobudo kata and each and every technique or movement in a kata must be understood as bunkai or self-defense. The bunkai also needs to be pragmatic otherwise the value of the technique is next to useless.

There are few kuwa kata: such as Matayoshi No Kuwa Nu De (Kue no de), which is the kata of Seiyo No Shorin-Ryu Karate Kobudo Kai and its variations. The kata has all of the strikes, blocks, digs, and cuts needed for self-defense.
                                  
O'Sensei Bill defends strike by Sensei Paula at the
Arizona Hombu dojo in the East Valley of Phoenix
.
Kuwa-jutsu can be done with modern garden hoe although one must be careful with these as the majority are not well made and tend to fly apart as some of my students witnessed during teaching kuwa years ago at the University of Wyoming. One of my first strikes during kihon practice sent the blade (egashira) flying like a missile into our tatami (mat) against the back dojo wall in the Education Building gym. It surprised everyone including me. Luckily, I was in the front of the class of 50+ students with no one in front of me. 

So if you purchase a common hoe from a local hardware store it is best to reinforce the weapon by drilling a hole in the metal sleeve of the egashira that fits over the handle and add and anchor screw to secure the blade to the handle. For those who want to remain traditional, search the Internet for a Japanese style grub hoe. I recommend a 4" grub hoe (we found a 6" grub hoe at the Mekong Plaza in Mesa). The kuwa has a butt end (ejiri), handle (eii), head of the hoe (egashira) and blade edge (kuwaba).

Kuwa is used similar to a bo, but it has the advantage of a blade at one end. The egashira is used to hook weapons to redirect them, hook an opponents knee, back of neck, foot, etc and is also used for tsuki (thrust strikes). The kuwaba is used to cut an opponent as well as remove toes, ears, and fingers. The butt of the kuwa (ejiri) is used for thrust strikes, while the bo handle (eii) has many uses including blocks and strikes. So the next time you are working in your tomato garden in Gilbert, Chandler, Mesa, Tempe, Scottsdale, Phoenix or even in California, Colorado, Utah or Wyoming, etc., remember, you have a weapon in your hands - learn how to use this fabulous weapon! After all, you never know when another thieving politician is going to try to steal your tomatoes!
Training with hanbo (3-foot stick) in Mesa, Arizona at the Arizona Hombu Dojo, 60 W. Baseline.
Dr. Bergkamp works with Adam to trap his hand.

Members of the University of Wyoming Campus Shorin-Ryu Karate and Kobudo Club in Laramie
learn to be Okinawan farmers at Kobudo Clinic taught by Soke Hausel from Gilbert, Arizona.

Blocking with kuwa at the Arizona Hombu in Mesa, Arizona

Dr. Adam defends against attack by Rich at the Mesa Arizona Hombu.

Friday, December 16, 2011

Arizona's Karate and Kobudo Classes, Schools and Instructors


Nunchaku training in Seiyo Shorin-Ryu Karate Kobudo Kai. Photo
 shows (from Left to Right) Dr. Adam, Sempai Scofield, Sensei
Borea and Sempai Lang.
Traditional Okinawa Shorin-Ryu Karate training also involves training in kobudo (the ancient art of traditional weapons), jujutsu, shitai kori (body hardening) and much more. Our adult students learn to effectively use hands and feet as well as common every day tools and the traditional kobudo tools from Okinawa used by farmers, merchants and fishermen for weapons of self-defense.

Soke Hausel also teaches private clinics with a variety of modern weapons - including magazines, books,  car keys, rocks, coins, pens, etc..
shitai kori (body hardening)
Dr. Adam poses after demonstrating use of common everyday tools for self-defense for
a typical nerd. In this demo, he used pens, classes, belt and even his trousers as weapons.
Dr. Adam demonstrated the use of the Corn Huskers tools as self-defense
weapons. He stand here with a corncob pipe, farmers hat, corncob chuks
handkerchief, and suspenders, all potential weapons.
Been to the library lately? Soke Hausel teaches clinic to Chandler librarians
 on common tools for self-defense that included cell phones, car keys,
PC computers and even books.

Dr Adam hooks back of Rich's knee during bunkai training with kuwa (garden hoe) and
bo (6-foot staff) at the Arizona School of Traditional karate in Mesa, Arizona



Wednesday, August 31, 2011

TONFA - A Marvelous Hand Tool and Okinawa Peasant Weapon

Rich from Mesa uses bo during kobudo training at the Arizona Hombu dojo
 in Mesa, while Dr. Adam uses tonfa.
Tonfa is one of the favorite Okinawan weapons taught by Soke Hausel in Gilbert Arizona. Newbies find it challenging at first, but once a student realizse it's nothing more than an extension of their karate, they quickly get the hang of the weapon. Historically, on Okinawa, the tonfa originally was a mill handle, harness support, or some other tool that was quickly converted to a weapon on a moments notice. 

Some members of Seiyo Shorin-Ryu learned how to use tonfa in our 2016 classes in Mesa, Arizona and received certification documents. Today (2021 and 2022) more students are learning this tool for self-protection while others learn nunchaku, bo, tekko, tanto, katana, sai, kamaor other tools. The tonfa is such an effective weapon that it was once employed by nearly every law enforcement agency in the world, until the law enforcement officers realized that it required dedication to properly learn how to use this tool. In law enforcement, one tonfa (baton) was used - in Okinawa karate, two are typically used. 

Members (deshi) discovered that these weapons are very similar to their empty hand (kara-te) techniques with all of the typical blocks and strikes. In the forthcoming weeks, they will learn to use these weapons with different grips as well as learn three Tonfa kata (forms) and all of the bunkai (applications).
Dr. Adam follows up block with strike using
tonfa against Ryan's attack with bo.

The origin of the tonfa cannot be established beyond question, but some researchers assume the tonfa were originally rice mill handles that were removed from a rice grinder in Okinawa at time of need for self-defense against marauding Japanese samurai. The weapon was so effective that after karate was introduced to Japan in the 1900s, many police departments adapted the weapon for use as a night stick worldwide. But unlike law enforcement, our students learn to use two tonfa rather than one and learn to use them effectively for blocking, striking, hooking, choking, and even some throws.

The Arizona Hombu dojo accepts adults into its program with or without formal training in martial arts and offers diverse training in Okinawa karate, kobudo and samurai arts.

Members look forward to an education in karate, kobudoself-defense, samurai arts, martial arts history, and philosophy. And, we are all good friends. 


Along with kobudo classes, we also provide some acting classes (not really). 
Here Neal  from Phoenix trains with Rich from East Mesa.
Sensei Borea (with kama) defends against Charles (with bo).
Dr. Teule from France trains with tonfa at the Hombu. Here she demonstrates a reverse grip

Tuesday, May 4, 2010

KOBUDO - the Art of Okinawan Karate Weapons in Mesa, Arizona

The joseki wall of our Hombu Dojo, Mesa, Arizona. These are only a small part of the Kobudo
Tools used by our students and instructors. Unfortunately, due the the plandemic, we had to
close our dojo in Mesa in 2021 like many other martial arts schools. But, Hall-of-Fame instructor
Soke Hausel continues to teach martial arts in 2022 at two private locations in Gilbert and Mesa, Arizona. He is available to teach clinics to private groups in karate, self-defense, kobudo and
samurai arts. Today, he only accepts good, honest students with or without previous training.
Contact Soke Hausel at Shorin-Ryu.Karate@ProtonMail.com

Updated, January, 2022. By learning kobudo arts, one discovers they can use not only the ancient fishing, merchant and farming tools from Okinawa's past, but the also discover that tools are all around them that can be used for self-defense. Just think how you might use your belt, the magazine you are reading, that stick or rock on the ground, your car keys, the change in your pocket, a cell phone, pen, etc. Most anything can be used as a tool of self defense. Kobudo is a martial art that is blended with karate, especially in the Okinawa systems.

There are many fighting systems, but only a few can be classified as a martial art. Boxing is not a martial art, wresting is not a martial art, MMA is not a martial art - these do not fit the definition of martial art. 

Members of Seiyo No Shorin-Ryu Karate Kobudo Kai practice kobudo and kobujutsu. By learning these disciplines, a person is prepared to use their belt, pen, baton, car keys, cell phone, book or most anything they can get their hands on as tools for self defense. At this moment, think about what you are wearing, what you have in your pockets, what is near you – what kind of weapons do you have? How could you use these for self-defense. Or imagine you are going to teach a class in kobudo and you can only use what tools you find within 3 feet of you. How would you use these for blocks and strikes?

Kobudo is a martial art that blended with karate in the Okinawan systems. However, there are many Asian and American hybrids that have elected to remove kobudo from their curriculum for unknown reasons. Even many of the Japanese karate styles eliminated kobudo in the 20th century.When I trained in Kyokushin, Kempo, Wado-Ryu and Shotokan, no weapons were ever introduced, or even mentioned. 

A tonfa across the collarbone - ouch. Here, Ryan
trains in Kobudo at the Hombu in Mesa - Ryan
was one of my top students - Soke
There are many fighting systems in the world, but only a few can be classified as martial art. ‘Martial’ translates in Japanese as bu, a word found in budo. Budo translates as ‘martial ways’ implying that there is some form of mental or spiritual benefit. Bushido translates as the way (or path) of bushi (warrior) or basically a warrior’s code of ethics. Other words that use bu as a root include bujutsu which is different than budo. Bujutsu refers to the old (koryu) Japanese martial fighting methods and schools that were developed by feudal samurai, whereas budo refers to modern fighting arts that have included a spiritual and ethical emphasis. Kobujutsu refers to ancient fighting methods of the samurai which is different than kobudo – the art of ancient weaponry. 

Systems of kobujutsu have been practiced in Japan for centuries. In Japan, kobujutsu was for the most part, restricted to samurai. Whereas on Okinawa, kobudo was considered a peasant’s art. Jutsu translates as a skill or discipline and does not suggest any philosophical self-perfection suggested by ‘do’. Thus karatejutsu is a group fighting skills with no spiritual goals or emphasis, whereas karatedo is a method of empty hand fighting techniques that has as its goal; self-improvement of the person. In a strict sense, it could be argued that karatejutsu is not a martial art as it does not provide any esoteric value.

Valid martial arts have always had an underlying code of ethics and spiritual benefit. We can see the evolution of this code by examining legends surrounding the progenitor of martial arts. According to these legends, some form of martial art was introduced to the Shaolin monks in the Henan Province, northern China around 520 AD by an Indian monk named Bodhidharma. Bodhidharma is believed to have introduced Zen Buddhism to China and is considered the father of martial arts. 

Bodhidharma was a son of an Indian King. He traveled from southern India to China during the Liáng Dynasty (502–557AD). His route took him through the Himalaya Mountains and it is said he carried two books known as the I Chin Ching and Hseiu Seu Ching that are suggested to have contained descriptions of self-defense techniques. Bodhidharma crossed the Yangtzu River and continued north where he took residence at the Shao Lin Temple in Ho Nan Province. There are countless legends about this individual, although many are exaggerated. For example, Bodhidharma is described to have attained enlightenment while meditating and facing a wall of a cave without blinking his eyes for 7 to 9 years at the Shorinji Temple (少林寺) on Mt Song (嵩山). 

At the temple, he began lectures in Zen. Each evening, he would climb down from a nearby cave to the monastery and lecture. Apparently early on, he discovered that the Shaolin monks were unfit and lazy and often fell asleep during mediation. To correct this he began teaching a set of physical exercises in conjunction with meditation called 'Shi Po Lohan Sho' (18 hands of Lohan) that are reputed to have been a fighting form from India. By adding physical training with spiritual training, the monks began to gain focus. Thus he created the first martial art whether by accident or design that combined spiritual and physical training. Following years of meditation and ch'uan fa (kung fu) practice, the Shaolin monks developed a reputation as enlightened priests and formable fighters throughout China. Many Lohan techniques that were taught, were derived from a study of animals – such as a tiger or crane. This resulted in a variety of forms of ch’uan fa, such as tiger kung fu, monkey kung fu, white crane kung fu.

 Sketch by Soke

Bodhidharma’s cave located north of the monastery is described to be a square-mouthed cave about the size of a small room that opened directly to the sun. Legend claims that he stopped returning to the monastery after some time and just sat continuously facing the wall of the cave, legs crossed, in silent contemplation. After facing the wall for three thousand days, his shadow was preserved on the stone face. It is said that from a distance, one can still see the shape of a man sitting cross-legged with his hands pressed together on the rock face. 

Centuries later, kung fu was introduced to Okinawa. But Okinawans took the characteristic circular and gymnastic-like movements of kung fu and modified them into linear, pragmatic and powerful techniques. How, why, and when this evolution occurred is unclear. History records an important event that may have influenced the introduction of kung fu to the Ryukyu (Okinawa) Islands. In 1374 AD, China and Okinawa formalized trade relations. The event was accompanied by an imperial gift from China in the form of 36 families of skilled artisans and merchants who migrated from Fukien (also known as Fujian) Province of southeastern China to Okinawa. These families established a community known as Kumermura near Naha City. It is suggested that members of these families introduced kung fu to Okinawa. Although others suggest that the 36 families were not educated in martial arts and rather than various Okinawans traveled to China to study the Chinese hand (known as Tode to the Okinawans).

Tai Chi Lady (copyright) - sketch by
Soke Hausel
A martial arts text known as the Bubishi was thought to have possibly accompanied the Kumermura families. The Bubishi is interpreted as a textbook of White Crane kung fu methods that were originally taught in the southern Shaolin temple at Chiu Lung Mountain near Foochow City in the Pu T'ien District of the Fukien Province. The originator of the White Crane Fist style is believed to have been Fang Chi Liang, a woman who resided in Yong Chun (for those of you who attended the UW yudansha clinic in March, you were introduced to this art). The Bubishi includes martial arts techniques but it is a seemingly paradoxical document that stresses preservation of human life (a tenant of Buddhist philosophy), yet teaches Okurasu Goroshi or vital point strikes designed to knock out, maim, or kill an opponent. 

The Chinese influence on karate is seen in kanji used to describe tode. The kanji refers to the T'ang Dynasty (618-907 AD) (the golden age of culture for China) as well as to China in general. Literally, the kanji means 'Chinese hand'. Furthermore, the kanji used to describe Shorin-Ryu is translated as Shaolin style in Chinese in reference to the Shaolin temple in the Henan Province.

Te (copyright) - sketch by Soke Hausel
The term for tode (Chinese hand) was later changed to karate. Karate is derived from the Japanese kara meaning empty, and te meaning hand. When speaking of karate, traditionalists attach the word do (‘way’ or ‘path’). Translated, karatedo means the 'way of the empty hand'. Many people would take this at face value meaning a method of bare-handed self defense. But the ideograph used for 'kara' not only represents empty, but also represents 'void' or sunyata. Sunyata is the Sanskrit term for emptiness or nothingness which has profound, meaning in Buddhism. In principal, sunyata` is derived from a Buddhist concept of 'no-mind', a form of Zen training that in essence, is an ego-less state of mind that frees one from fear of death or failure. 


In 1480 AD, Okinawan King Sho Shin issued an edict that prohibited the private ownership of bladed weapons. The king, being nonviolent Buddhist, believed his subjects should also be nonviolent. But not all were as peaceful as the king. Following the edict, secret societies formed to practice te and kobudo as a means of self protection. Farmers and fishermen developed fighting methods using tools of trade and karate and kobudo were blended. These became methods for individual self-defense rather than for military such as that of the samurai of nearby Japan. 

The ban on bladed weapons and with no military, it was a matter of time before Okinawa would be invaded. Thus in 1609 AD, Lord Shimazu with the Satsuma Samurai Clan of southern Japan obliged Okinawa and invaded and conquered the Ryukyu Islands with little resistance. The 3000 samurai invaders left the political and sociological infrastructure in tack and ruled indirectly by levying high taxes while assuming control of Okinawan’s foreign trade that had been robust. This led to rapid decline of the Okinawan economy. During this time, karate was developed into a pragmatic method of self-defense.

The samurai banned the practice of martial arts. This stimulated the evolution of karate and kobudo as virulent arts. It is likely that kata became prominent in the Ryukyu culture at this time as a means to disguise the art from the Japanese, as well as a method for preserving favorite and effective techniques. Karate and kobudo were practiced in secrecy for more than 400 years: documents about karate during this period of development are nonexistent as the art was kept completely secret. 

In 1868, the Meiji restoration of Japan abolished feudalism along with the rule of Samurai. Samurai could no longer wear swords in public and the government abolished the Ryukyu Kingdom essentially making Okinawa a feudal clan of Japan in 1872 (even though feudalism had been abolished in the rest of Japan). The Satsuma rebelled against the Meiji government in 1877 but were conquered by the modern Japanese army. This was followed by the Japanization of Okinawa in 1879 and the last Okinawan King was exiled to Tokyo and a Japanese governor replaced him in Shuri City. 


Soke Hausel demonstrates teisho uchi (palm strike) with the help of Shihan
Gewecke from Gillette, Wyoming. Soke reports he had some world-class
karate students at the University of Wyoming - Shihan Gewecke was one of those
outstanding students!

Many of these events lead to development of karate techniques into highly effective strikes designed to paralyze, kill, or maim an opponent with a single blow. Kata incorporated omote (hidden techniques) , okurasu goroshi (death blows), and tien hsueh (vital point strikes). A master of kobudo, using tools of trade as weapons, could defend against a well-armed aggressor and body hardening methods evolved to the point that some Okinawans were able to take full-force blows to any point on the body with little effect. This philosophy of ‘one strike – one kill’ was used effectively by all Shorin-Ryu styles until the late 20th century when many forms of sport karate eliminated most pragmatic applications of karate and kobudo.

In 1901, Anko Itosu of Okinawa (Itosu Yasutsune in Japanese) was instrumental in introducing karate into the Okinawa public schools. To simplify karate, Itosu developed the pinan (peaceful mind) katas from two advanced kata forms known as kusanku (kanku in Japanese) and chiang nan. The kusanku kata still exists but the chiang nan kata, known as the channan kata, was lost. Itosu also broke down the complex naihanchi kata (tekki in Japanese) into 3 separate naihanchi forms.

The father of modern Karate
Gichin Funakoshi (copyright) - sketch
by Soke Hausel
Many Okinawan karate masters were concerned about providing Japanese with the secrets of their system. But the secrecy of this self-defense and self-enlightenment art continued to come out in the open. Following introduction of karate into public schools, Gichin Funakoshi presented the first public karate demonstration on Okinawa in 1902. Both Itosu and Funakoshi were school teachers and masters of Shorin-Ryu karate. Even with the eventual introduction of karate to Japan, it was apparent that the Okinawans did not trust the Japanese. Many techniques (bunkai) taught to the Japanese were incorrect and ineffective and Funakoshi also taught a watered-down version of Shorin-Ryu karate to the Japanese. Funakoshi also taught karate should not be used against others and instead should be used to improve oneself. He also did not support (as did many Okinawan masters) karate being developed into a sport. Karate instead was to be used as a way of cultivating the spirit.

In 1917, Gichin Funakoshi traveled to Kyoto to demonstrate Okinawan karate. In 1922, at the age of 53, he was invited back at the request of Japanese officials for another demonstration of karate. Following this second demonstration, karate was formally accepted on mainland Japan. In 1936, Funakoshi established a permanent dojo in Tokyo known as the Shotokan. Funakoshi's training philosophy was that kata, makiwara training, and kotekitae (body hardening) was all that was necessary in preparation of self defense. This is a similar philosophy of Seiyo Shorin-Ryu Karate and Kobudo taught at the University of Wyoming, Casper, Wyoming, Gillette, Wyoming and at the Mesa Arizona Hombu. For some reason, the Japanese karate did not include kobudo although early photographs of show Funakoshi demonstrating bojutsu.

The Okinawan kobudo weapons include: sai, nunchuku, Tonfa (police baton), Sai, Kama (Sickle), Hanbo (half-staff), Nitanbo (two sticks), Cane, Bo (staff), Kobutan, Eku (oar), Ra-ke (rake), Kuwa (hoe), Manrikigusari (rope), Tanto (knife), Hari (fish hooks), Nireki (two rakes), Surichin (weighted rope), tetsubo (stinger), tekko, tinbe, yawara, suruji, tanto and more. 

One of the more common weapons is the bo - a 6-foot staff. The bo has been used and still is used by Okinawan (and Asian) farmers to transport materials. The bo is placed over the shoudler and goods attached to either end. But when needed - the bo is quite handy to the Okinawan farmer.


Dr. Amit Diksit from India, PhD in Electrical Engineering
practices
 bo at the University of Wyoming 
The sai is a dagger is a dagger-shaped truncheon that has a pointed truncheon with two curved prongs known as yoku that project from the handle. Most have parallel yoku, but another sai with opposing yoku is also used. Typically two zai are used, but three zai may also be employed with two held in hand and the third sai held in the obi (belt). The tonfa (also tuifa) is thought to have been a handle for a millstone. It is such an effective weapon that it became in popular use by police departments worldwide. Another weapon that is a baton, similar to the hanbo (or half bo) is the kioga (expandable baton), which is now taught in many kobudo schools. Other weapons that are now included in kobudo are the katana (samurai sword) once outlawed on Japan as well as the yari (spear) and naginata (halberd).


Sensei Kyle Linton from Wellington Colorado blocks tanto (knife) attack from Hanshi Andy Finely (8th dan) from Casper, Wyoming at a University of Wyoming clinic. These two students
were world class martial artists!